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Everything You Ever Wanted to Know about
THE ALASKA FOLK FESTIVAL
(and maybe a little bit more)
Nine 4-hour performances averaging
fifteen acts each, fourteen hours of dances plus dance
workshops, a Family Concert and 40+ hours of teaching
workshops devoted to every imaginable folk music skill, plus
jamming all week long should be enough to wear out even the
most dedicated enthusiast at the annual Alaska Folk
Festival. Yet long after the final chorus of Good Night
Irene, the traditional closing song on the Festival's final
evening, many of the 450+ folk musicians from all around the
vast reaches of America's largest state and beyond can still
summon enough energy to jam the night away in bars,
restaurants, private parties and any space they can find out
of the weather!
They come from near and far. . . from
Whitehorse in Canada's Yukon Territory, from Bethel, Alaska
(more than 1,000 miles as the ptarmigan flies from the
festival's home in Juneau), from Talkeetna, Sitka, Kenai,
Elfin Cove, Fairbanks, Ketchikan, Anchorage and the "Lower
48" for this annual week of fun, partying, good music and
greeting old & new friends that make it such a Rite of
Spring.
The Alaska Folk Festival was born
on a cold winter evening in 1975 when a half dozen Juneau
folk musicians decided to put on a performance in the Alaska
State Museum and grandly announced it as the First Annual
Southeast Alaska Folk Festival. Eight musicians and an
audience of several hundred friends had so much fun that
evening that it was obvious there would be more such
festivals.
Workshops were formed the following year
so that specific skills could be passed on to other
musicians, and almost 30 performers were on the program
which was extended to 3 days. By 1977 the annual festival
had become a regional event with over 50 performers from
throughout Southeast Alaska adding their talents to those of
Juneau's musicians.
The concept of having a paid Guest Artist
participate in the workshops and performances as an added benefit to
the Alaskan musicians had its inauguration at the 3rd annual festival
in 1977. The artist chosen was Merle Travis, a country and folk
performer whose innovative guitar style (Travis picking) had been an
inspiration to musicians for over 30 years.
The idea proved to be an unqualified success, and
the Guest Artist has since become an honored tradition of the
Alaska Folk Festival. The principal role of the Guest Artist
is to impart something of his/her/their musical style, heritage and
culture through teaching workshops and jamming with Alaskan
musicians.
Since the Guest Artist is brought in primarily to
broaden the musical horizons of the festival musicians, the selection
policy has consistently been to seek artists with a long and
distinguished background in presenting their style of music, who are
either primary sources of a particular musical tradition, or (like
Merle Travis) are widely recognized as outstanding
innovators.
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Guest Artists participating in the Alaska Folk Festival have been:
| 1977 |
Merle Travis - Originator of Travis picking guitar style |
| 1978
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J.P. and Annadeene Fraley - Old-time Kentucky fiddle tunes
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| 1979
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Lydia Mendoza - Mexican and Chicano ballads
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| 1980
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Balfa Brothers - Louisiana Cajun music
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| 1981
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Eric von Schmidt - American folk blues
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| 1982
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Mike Seeger - Traditional Appalachian songs and ballads
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| 1983
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Jethro Burns - Virtuoso mandolin artist
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| 1984
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Michael Cooney - Rural, urban and contemporary folk music
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| 1985
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Hedy West - Traditional Southern mountain ballads
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| 1986
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Tiny Moore Trio - Western swing
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| 1987
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Peggy Seeger & Ewan MacColl - English & Scottish folk music
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| 1988
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Savoy-Doucet Band - Traditional Cajun music and dance
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| 1989
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Mick Moloney Trio - Irish ballads and folklore
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| 1990
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Ralph Blizard & New Southern Ramblers - Old-timey music
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| 1991
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John Cephas & Phil Wiggins - Ambassadors of the Blues
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| 1992
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Josh Graves & Kenny Baker - Masters of Bluegrass
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| 1993
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Lisa Ornstein & Company - Traditional French-Canadian music
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| 1994
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Ledward Kaapana Trio - Hawaiian slack-key guitar
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| 1995
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Ginny Hawker, Kay Justice, Tracy Schwarz & Mac Traynham - Southern Appalachian singing
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| 1996
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Brave Old World - Traditional and Contemporary Klezmer
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| 1997
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Kurt Sutphin, Kinney & Doug Rorrer - North Carolina Piedmont Old-Time
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| 1998
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Jerry Holland w/Mary Jesse Gillis & Kieran O'Hare - Cape Breton
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| 1999
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Suzanne Thomas, Don Rigsby, Jim Hurst, Missy Raines and Bill Evans - Bluegrass
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| 2000
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Charivari -- Cajun dance music
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| 2001
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Tom, Brad and Alice -- Old Time music from Tom Sauber, Brad Leftwich and Alice Gerrard
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| 2002
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Frankie Gavin and Brian McGrath -- Traditional Irish Instrumentals on Fiddle, Flute, Banjo and Piano
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| 2003
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Barachois - Tunes and songs for fron the Acadian tradition of Prince Edward Island, Canada
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| 2004
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Hot Club of Cowtown - Western swing with a Parisian influence
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| 2005
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Jawbone - Bruce Molsky, Tony Trishka and Paula Bradley - Old Time meets New grass
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| 2006
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Nancy Griffith - Contemporary Folk
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| 2007
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The Carolina Chocolate Drops - Black String Band, historic and contemporary
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| 2008
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Les Amis Creole - Creole, the roots of zydeco.
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In the early 80s the festival organizers
created a membership supported non-profit corporation. Eager to
maintain the concept of a living room jam, they established broad
guidelines for future festivals so that the event would continue
to be free of charge to all participants, a membership supported
(open to everyone), all-volunteer effort with no paid staff (only
the Guest Artist and Chief and Dance Sound Engineers and Guest
Dance Caller are compensated), and free of star billings or
competitions so as to encourage non-professional performers and
the sharing of Alaska's most widely practiced art...home-made
music.
Alaska Folk Festival, Inc. plans, funds,
schedules, organizes, manages and produces the annual event. Entirely
free of charge for performers and audience alike, the Festival has
become the largest cultural event annually held in Juneau, with
participants & attendees numbering over 10,000 and thousands more
in the radio audience -- and even the internet. KRNN-FM,
Juneau's Public radio station, broadcasts all of the performances
live.
The 35th Annual ALASKA FOLK FESTIVAL takes
place at Centennial Hall in Juneau from April 13-19, 2009. Performer
applications go out by late January. Performance spots are open on a
space available basis, no audition tapes. The evening performances
all begin at 7 pm and run about 4 hours. The two weekend afternoon
concerts begin at Noon. Weekend workshops take place from about 10 am
until 4:30. There is usually a Family Concert on Saturday morning and
three evening dances at nearby venues. To all this, add innumerable
parties, informal jams and other events all around Juneau; it's
Alaska's largest folk music party.
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